Search: Starring Barry Keoghan

Burke is interested in people not politics, keeping the focus on the sudden outbreaks of inhumanity and humanity in the madness, expertly crafting his thriller from the swirling fog of war.

As a cinematic first the audacity and imagination of Bart Leyton's way of working breaks new ground

Banshees is lifted by good performances, particularly from Keoghan and Condon, whose major scene together has a delicacy of emotion that is sharply at odds with the brute force McDonagh more generally employs.

Amid all the deprivation Arnold, as is her style, uncovers elements that lift the action out of the ordinary and into the realms of fantasy and magical realism.

It's usually Keoghan who gets the acting plaudits, but though he is good as a wannabe bad guy, it's Jarvis who provides the heft, in more ways than one here.

This is not just a war film. It is an artistic triumph.

This is almost an hour longer than anything else Zhao has directed, and while her eye is keen there must surely have been a point where someone looked at a script and thought 'this is too much'.

Lanthimos confirms his reputation as one of contemporary cinema’s most original and unsettling directors

The film has an intensity that creates its own tension.

Norfolk is as much a statement about land as it is about the people who live there.

Its unreliable geographies, human and physical, make it even more beguiling.

The West Country slang in use is at times impenetrable, but it’s clear that writer Alex Simmonds has spent a long time learning its intricacies, and the actors are doing their best to capture the spirit and tone of this community.